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剧情简介
[不安]英文名: buan
发布于1954年，由罗伯托·罗西里尼执导，并且由编剧携幕后团队创作。著名实力派明星加盟。
并于1954年在其它上映。算是一部挺不错影视作品，亲们，好看的的影视作品也为数不多呀，推荐大家值得观看。类型为剧情 的影视作品，创作于其它 ，具有其它版本支持手机在线播放免费。
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
喜欢看《不安》的人也喜欢常见问题
骑士电影网网友： Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
q2002电影网网友：最近《不安》上映了，男女主都是我很喜欢的人，长的好看演技好，剧情也很好啊，真的不夸张，我没开倍速看（你知道对于我这样一个基本开二倍速的人来讲，这是一个多大的肯定嘛）。
青苹果影院网友：截止到1954，《不安》正片。
艾玛影院网友：除了优酷视频视频软件之外你还可以去爱奇艺、芒果tv、大哲电影网-最新电视剧_电影大全_免费在线观看【高清流畅】>百度视频等平台去看正版视频。
6、这部剧中，你觉得英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特的演技怎么样?
影视大全网友：最近有英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特等演员主演的剧情片一经播出就受到了很多观众的欢迎和认可，这部剧情片里面，演员的演技都是非常值得肯定的，我觉得英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特在里面的演技非常的好，他能够去把握这个角色所要表达的情感，向观众展现出更好的作品
人人影视网友：有以下演员主演：英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特。
秋秋影视网友：您可以用手机打开百度APP在搜索框里输入：不安手机在线观看免费，就可以找到免费正版播放资源了。手机免费看不安网址:www.dzys8.com/dzyy/107418.html，这个网站免费无广告。
星空影视网友：很多地方都可以看呀，我是在大哲电影网-最新电视剧_电影大全_免费在线观看【高清流畅】上看的，打开APP后直接搜索“不安”就能看了。
10、《不安》评价怎么样？
豆瓣电影影评：我其实是想给不安 4颗星的，但是稍微回味了一会儿，觉得它不值，还是三星半吧。太过美好的童话，纯粹却禁忌的爱恋。去除了所有外界的干扰，只剩下两人一路成长的甜蜜。被两小无猜的欢喜萌的酥麻，被一眼万年的深情震的动容。再孱弱缺失的情节也能忍受，再矫情造作的mv拼贴也能释怀，宁愿做一次贪恋美梦的傻子，在追逐繁星的路上尽情的奔跑一回。
丢豆网影评：剧情很流畅，好评如潮、质疑不断，不同目的、不同角度的声音此起彼伏,觉得好的观众会觉得在这部片里找到了共鸣，不论是来自家庭的困境，还是身处21世纪信息碎片化而无孔不入导致的意识扁平化的生活现状的反思等等，推荐！！！
mtime时光网影评：这种虚无主义在当今21世纪的这个节点已被提起注意，如今我们可以从手机上见识到全世界的各种悲剧与痛苦，我们可以做的却只是坐一旁说:“哦太差劲了”，然后继续回到自己的生活中去，我们毕竟又能做什么呢？！
烂番茄影评：哈哈哈 男女主角真是清新可爱，看了之后，让我蠢蠢欲动，好像想早恋，可惜早已过了早恋的年龄！o(╯□╰)o
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